To ground the anatomy in reality, Conti's team started with a real set of jaws from each shark.
And sometimes you get these happy accidents-like the animatronic will knock a spear out of an actor's hand, and we'll rewrite the sequence to include that."Ĭonti began by looking at hundreds of photos of great whites and hammerheads. And with animatronics, the big advantage is that if you think of the shark as a character and the actors as characters, then you have all the characters on stage and can direct them at the same time. But the great white and hammerhead were more hand-to-hand. "Those tended to be visual effects, because you can choreograph exactly what you want. "In a lot of the other attacks in the film, the sharks come out of nowhere, grab the character and they're gone," Conti says. While most of them were created using visual effects, director David Ellis knew he wanted animatronics for the two drawn-out attack sequences, in which the actors try to fend off a hammerhead and a great white. There are six different types of sharks-including cookie-cutters, makos, and bulls-in Shark Night. From an engineering standpoint, they're a completely different level of power." They both have four wheels and engines, but the animatronics we create today are highly tuned machines. "It's like comparing a Model T to a Ferrari. "People bring up Jaws all the time," he says. But Spielberg's 1970s icon can't compare to the technology behind today's Hollywood predators.
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Walt Conti-whose company Edge Innovations has created robot creatures for Free Willy, Deep Blue Sea and now Shark Night 3D, out Sept. 2, is "a marriage of art and technology."Īny filmmaker tasked with creating realistic marine predators has to measure up to a larger-than-life specter lurking just beneath the waves: Steven Spielberg's iconic animatronic shark, Jaws. Thus, the starting point might be the jig which mightĭouble as a launch platform and transport trailer, if we want to keepĬosts down and reduce complexity and workshop space all at the same time.Īnimatronics creator Walt Conti tells PM how building two ferocious sharks for Shark Night 3D, out Sept. That's a tall order where such a large exhibit will Must be capable of thrilling viewers with a combination of movement, The company ceased trading in 2017.īrief was to create the largest interactive robot shark in the world.
Showcases ever built that to suit many operators of exhibitions of all
If the project had gone anyįurther it may have produced one of the largest and potentially most profitable Of the most exciting displays in the world, but could not afford to stop Marine Systems had been asked to look at the possibility of creating one Ocean and frighten the hell out of them - safely of course. How do you stop people going into the water? That's right, you put up aīig sign saying not to swim and enforce that with a bunch of sheriffs.Ĭonversely, how do you get people to want to go into the water, or into aīuilding for that matter? Yup, you show them the scariest creature in the
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